If one doesn’t already have those slip sliding, bone chillin’, snow shoveling blues maybe they’ve been wintering in the Caribbean but for the rest of us the harsh realities of a brutal winter continue to slosh onward. But there is light at the end of the tunnel provided by a couple of reliable signs. Spring is just a few weeks away but more immediately it’s time for the 22nd Annual River City Blues Competition!
The event is sponsored by the Blues, Jazz and Folk Music Society (www.bjfm.org) and is recognized as the oldest and largest blues competition in Ohio. It will once again be held at the Hotel Lafayette (101 Front St.) in Marietta OH and this year a slightly new format is being implemented which should be exciting for the musicians and the music fans.
On Friday night, February 14th, a pre-competition party will feature 2013 RCBC Winner Chris Sutton and his band C&S Railroad (https://myspace.com/csrailroad). Hailing from Huntington the group will be kicking off the festivities at 8pm. Sutton won last year’s competition with a rootsy, soulful solo acoustic performance but will be joined by his band on Friday night to deliver some Americana inspired Ohio River blues! At 9:30 pm longtime central Ohio favorite, The Sean Carney Band (www.seancarneyblues.com) will take the stage and further intensify the winter thaw with a dose of smoking hot, guitar driven blues. Carney is a former winner of the International Blues Challenge and has performed not only all across the Midwest but internationally as well! And his work with guitar heavyweights like Duke Robillard and Jimmy Thackery continue to draw Carney industry wide attention and acclaim.
On Saturday February 15th the hard yet fun work begins when the competition tips off at 11:30 am with the first of the thirteen competitors hitting the stage. They’ll be vying for the BJFMS sponsorship to the 2015 to the International Blues Challenge (IBC) held in Memphis, TN. The first place winner will receive $1,000 in cash and $500 more when they register for the International Blues Challenge held in early 2015. At the IBC the sponsored performers will gain valuable exposure to record label A&R representatives and blues industry professionals and festival promoters capable of real career advancement for a serious blues musician. Second place with receive $500 and 3rd place $300. If a solo/duo act places within the top three the BJFMS may decide to also sponsor them in the “solo/duo” category and the performers will receive an additional $500 when they register for the Challenge. Over 120 worldwide blues societies and alliances send qualifiers to the IBC each January!
This year’s River City Blues Competition line up once again provides both a regional and international flair! Each performer will have twenty minutes to present their set of music. Set that run longer than twenty minutes will be penalized. The performers will be judged by a panel of local and regional musical insiders. The judges will use a weighted scoring system which will look for the performer’s blues content, instrumental talent, vocal talent, originality and stage presence. The scores will be tabulated and the top six performers will move to the finals. The afternoon lineup is as follows.
Saturday, February 15th Preliminary Competition
11:30-11:50am – Steve Spires (4 pc. Band) Zanesville OH
12:00-12:20pm – The Level Best Blues Band (5 pc. Band) Huntington WV
12:30-12:50pm – Greezy Juke (4 pc. Band) Columbus OH
1:00-1:20pm – Rod Snider (Solo) New Matamoras OH
1:30-1:50pm – Fuzzy Catfish (3 pc. Band) Augusta KY
2:00-2:20pm – Dany Franchi Band (3 pc. Band) Italy
2:30-2:50pm – Blues Chronicles (Duo) Cleveland OH
3:00-3:20pm – Deuce n’a Quarter (5 pc. Band) Columbus OH
3:30-3:50pm – Noah Wotherspoon Band (3 pc. Band) Cincinnati OH
4:00-4:20pm – Luther Trammell (Solo) Elyria OH
4:30-4:50pm – Reverend Sexton’s All Star Blues Review (5 pc. Band) Detroit MI
5:00-5:20pm – Tee Dee Young Band (5 pc. Band) Lexington KY
5:30-5:50pm – Dock Adams and Blues Hammer (4 pc. Band) Columbus OH
At approximately 6 pm the preliminary competition will be complete and the BJFM will break for dinner. At 8 pm the competition will reconvene with the top six finalists going to the stage once again in the championship round for a shot at the RCBC title.
Tickets will be available at the door and are priced as follows. $10/$15 members/non-members for Friday Night, $15/$20 m/nm Saturday Afternoon, $15/$20 m/nm Saturday Night, $40/$55 m/nm Weekend Pass. VISA/MasterCard/Discover accepted. The Lafayette Hotel will also be serving great food and legal beverages adjacent to the event.
If one has regularly attended they are prepared for all the fun and music, but this event also draws a big crowd. The doors will open an hour before show time so it’s a good idea to come early if you want an upfront seat. Of course the entire ballroom is a great atmosphere full of good music whether one chooses to be upfront and feel the beat or watch from the comfort of the back corner!
“Get up … Everybody’s gonna move their feet, Get down … Everybody’s gonna leave their seat … You gotta lose your mind in Detroit Rock City!” Everyone has enjoyed this anthem to the oft beaten and bruised Midwestern rock and roll city, but coming from a Brooklyn based quartet it is a bit of a stretch.
How about letting a Detroit band carry the rock and roll torch for a city known for the historic Motown sound of the 1960’s … Martha and the Vandellas, Stevie Wonder, Diana Ross and The Temptations … great classic rock of the 1970’s … MC5, The Stooges, Rare Earth and Alice Cooper … and more recently the brutally straightforward rhymes of Marshall Bruce Mathers III?
It is true a lot of music royalty has made its way through Michigan’s largest city over the years. But maybe more recognizable than Detroit’s mark on the American music culture, is the mark that its automobile industry has left on virtually everyone’s life over the past 100+ years! And that mark is not just shiny chrome and sleek lines. It is raw steel, crafted by workers who pour their sweat and sometimes blood into their work day, determined to craft the raw materials into a piece of usable art, often back breaking work begetting a hard bargained wage at the end of the day.
So how about picking a band that encompasses many of these attributes? Folks, that band would simply be The Muggs. The three piece power blues rock group which owes as much too tough times once shared by their home city as they do to the inevitable rebirth their hometown will soon enjoy.
The Muggs were formed in 2000 with Danny Methric on guitar & lead vocals, Tony DeNardo on bass guitar & backing vocals and Matt Rost on drums. The band was planting a solid foundation in the Detroit area music scene when Tony DeNardo suffered a nearly fatal stroke at age 28. This is where the comeback story begins. Through classic motor city grit, grind and hard rehab DeNardo was able to rejoin the band, just two years after his stroke. But at this time, he traded his four strings for the 73 keys of a Fender Rhodes piano and began using the venerable keyboard for the low down, groovin’ bass sound.
The Muggs were ready to rock once again and in 2004 signed with Times Beach Records, releasing their self-titled album “The Muggs” in July 2005. And it was time for another symbolic Detroit connection to occur. The Muggs partnered with the folks working on the release of a new version of the classic Dodge Charger and several Mugg’s songs were selected by the automaker for use in the campaign! Since then The Mugg’s music was also featured in a PBS concert documentary, “The Force Among Us” a Star War’s documentary celebrating the film’s 30 year success and even a Fox TV reality show, “The Next Great American Band.”
But rock and roll is about sharing it with people, not just cameras, so the band left the wild and wooly winter of Detroit for a tour of Spain in January 2007. The Muggs were also busy copping local rock radio station awards as they continued to hone their blues rock sound.
Two more releases, “On with the Show” and “Out of Detroit and Into A Dodge”, drew the band more critical acclaim plus launched them back into a Dodge marketing campaign … to the tune of 100,000 CD’s to be distributed by European Dodge dealers! The Mugg’s walked away with the “Outstanding Rock Artist/Group” award at the 2008 Detroit Music Awards and Danny Methric won “Outstanding Rock/Pop Instrumentalist” for his guitar work. The band began receiving invitations to open for established rock acts such as Jack Bruce of Cream, Mountain, Robin Trower, Thin Lizzy, Ten Years After, Johnny Lang, Candlebox, Ian McLagan of the Small Faces & Faces, North Mississippi All Stars, the Verve Pipe, Goober & The Peas and many more.
2009 began with USA Today recognizing their “On with the Show” release as one of the top albums for 2008 and Fox Sports began using The Mugg’s music as part of their NCAA Men’s Final Four Basketball broadcasts. More Detroit Music Awards followed in 2009 and Real Detroit Weekly named them “Best Indie Rock Band.” In October of 2009, original drummer Matt Rost stepped down and highly respected Detroit area percussionist Todd Glass joined the band.
The Muggs were also licensing some of their songs for use in three indie films and another Spanish tour ensued in 2010. One of their songs also made its way onto “Gene Simmons Family Jewels” … talk about the Detroit Rock City irony. The Muggs filmed their first video, “Slow Curve” with internationally acclaimed award winning filmmaker Jeff Schultz and the video brought them home yet another Detroit Rock Award in 2011. The band released their third album, “Born Ugly” in April 2011. And in the spring of 2012, The Muggs embarked on an expanded European tour which would take them to their old stomping grounds in Spain, as well as, stops in Germany, France and Holland.
In 2013 The Muggs worked with Chevrolet providing music for a commercial and unsurprising the band collected more Detroit Music Awards. In April 2013 the band released a double album, “Full Tilt – Live at Cadieux Café” and toured Spain, Germany, Italy, France and Netherlands during the spring. One of their songs, “Slow Curve” was licensed for use in the upcoming Disney film, “Earth to Echo” as well!
And now it’s 2014 and The Muggs are once again returning to the friendly confines of the Court Street Grill (112 Court St.) in Pomeroy OH. The band has been a mainstay at the area’s finest live music venue for several years and has rocked the Big Bend Blues Bash as well! The well-traveled and hardworking trio will be bringing a finely oiled, edgy classic rock sound infused with some powerful blues riffs ala’ the old blues masters who always delivered a good house rocking!
The Muggs will be joined by Parkersburg’s eclectic original rockers, Urban Shocker Duo. Urban Shocker Dou is comprised of vocalist/provocateur Zeroid Hopper and guitarist/programmer Bentuibi Timely. The duo utilizes raw, heavy guitar and intricately programmed backbeats and rhythms to accentuate its aggressive performance art delivery. By drawing influences from Bowie, the Talking Heads, Iggy Pop, Devo, AC/DC, the Psychedelic Furs, Lou Reed, the Stones and more, Urban Shocker Duo presents a raw, honest, stark and entertaining change from pre-processed power pop dominating the airwaves today. The Duo has been leaving the stage sweaty, sometimes bloody, but always 100% all in … to the delight of raucous crowds since 1983 with their former project, Ethiopia!
The show starts at 8 p.m. and tickets are available by calling 740-992-6524. Don’t miss the night of great rock in a great venue!
There’s no doubt that the holiday season is a very busy time of the year … yeah it’s a cliche that you’ve heard a thousand times but maybe a little blow out would be just what one needs to regroup and reset! And they’ll be no better place to do this than at the Court Street Grill (112 Court St.) in Pomeroy, OH this Friday evening. Juke joint purveyor Jackie Welker along with his friendly staff will be welcoming The Todd Wolfe Band (www.toddwolfe.com) to his quaint music hall.
Just who is Todd Wolfe? To begin with we’ll offer up a simple explanation of what he’s doing in Pomeroy … “one of the best bands I saw all year, they did a great job for us this summer as special guests after Blues Competition,” Welker said.
But who is Todd Wolfe? Wolfe is probably best know for his lead guitar work with Sheryl Crow’s touring band in the 1990’s during which they opened for Bob Dylan, The Rolling Stones, Robert Plant & Jimmy Page … and the list goes on. But before his work with Crow, the New York City native grew up listening to a variety of music. After being blown away, as most of the the youth of the era, by the British Invasion, Wolfe began to gravitate towards American blues guitarist such as BB King, Hubert Sumlin, Freddy King, Muddy Waters, Howlin’ Wolf and so many more began to influence the young guitarist.
Wolfe has also had success as a songwriter with his songs being covered by Stevie Nicks, Faith Hill, Phish and others. The past several years Wolfe has been focusing on his latest project with drummer Roger Voss and bassist Justine Gardner. The accomplished trio has played saloons, festivals, roadhouses and pubs all over North America and Europe … And now The Todd Wolf Band is bringing the experience and their power trio energy to our little ol’ juke joint … the Court Street Grill!
Many folks from our area know about the Grill, but if you’ve never been there I highly recommend this show! Of course, some folks might want to bring a set of earplugs … but the shared energy between the bands and the crowd is well worth a little bit of rock/blues music volume! (Welker mentioned that Wolfe was very good about a sound level befitting the room in his earlier performance. But some bands are certainly louder than others.) The show starts at 8 p.m. and tickets are only $10 available at the door. For more info go to www.courtstreetgrill.com or call them at 740-992-6524!
Steve Tuck is a music lover and a lover of good times in general. Some of you know Tuck from his son’s band, The Greens. Others know him from his day job and his tireless efforts for the Children’s Home Society of West Virginia. Luckily sometimes business and pleasure can be mixed as Tuck has illustrated by the numerous music fundraisers he has held for the Society.
This Thursday evening will mark another such event. On November 7th, Tuck will be welcoming Irene Kelley to a fundraiser at the Worthington Ballroom (3414 Roseland Ave.) in Parkersburg. The music will start early at 7 p.m. and feature Kelley’s mix of country, bluegrass and Americana music used to accentuate her heartfelt and homey lyrics.
Like many aspiring songwriters, Kelley left her hometown of Latrobe, PA and headed south to Nashville. Actually first she had to get the country music bug, and that was provided by a chance viewing of a Dolly Parton television performance. Kelley was inspired to learn guitar and begin writing her own songs. She had written a song, “Pennsylvania Is My Home”, which was used in a 1982 PBS documentary … and also mounted a personal grass roots campaign to have it adopted as a “state song.” The leaders of Pennsylvania ultimately opted not to select an official “state song” at that time, but Kelley had sent several copies of her music to some Nashville music publishers. It was now time to make that trip down south.
Kelley made some recordings for CBS Records and then MCA Records. But she also found herself with two daughters to raise, and found herself moving from a troubadour to a stay at home mom/songwriter. Loretta Lynn, Trisha Yearwood, Brother Phelps, Rhonda Vincent, Claire Lynch, the Osborne Brothers, The Whites, Ricky Skaggs, Carl Jackson and others are just a few of the iconic Nashville singers to feature songs written by Irene Kelley on their albums.
But as her children grew, Kelley retained her performers desire and once again was writing songs for Irene Kelley to sing. In 1999, Kelley found herself with a new album Simple Path and that led to a performance at the Grand Ole Opry … and a call from Alan Jackson who had heard her perform her song “I’m A Little Bluer Than That.” Jackson ended up including the song on his 5-time platinum selling & Billboard #1 album Drive.
In 2004, Kelley released her follow-up album Thunderbird. It was a personal and spiritual extension of her previous release Simple Path, more songs from a genuinely private person existing in the soul bearing world of songwriting. And early next year Kelley will be releasing a new album, Pennsylvania Coal, a bluegrass flavored release produced by longtime collaborator Mark Fain.
Albums and recordings are great but if one wants to capture the full character of a performer they must see them live. Often there are some very interesting insights into the meaning or origins of some songs. To look a person in the eye as they deliver their musical creation is a connection which cannot be downloaded or YouTubed.
Kelley is slated to be joined by longtime Nashville session artist Gary Talley. Talley has played with a veritable who’s who of country music legends. And was also a founder of the Box Tops … who just happened to have a #1 hit in 1967 with “The Letter”! After his Box Top days, Talley found himself appearing on recordings with Willie Nelson, Tammy Wynette, Waylon Jennings … you get the picture, legendary!
This will be a night of great music for a great cause! A $10 donation is recommended and food and beverages will be available. Doors will open at 6:30 p.m. with music beginning at 7 p.m. … an early evening of great entertainment!
“A Little Bluer Than That” by Irene Kelley
Music, bright lights and big cities across America have long been associated with one another. Chicago and the blues, Seattle and grunge rock, the arena rock band spawning ground of L.A.’s Sunset Strip, the show tunes and glam rock pioneers of N.Y.C. … and of course there’s country music and Nashville, arguably the strongest of all these metro-music relationships.
But Nashville is much more than the heavily orchestrated slick country rock sounds of platinum award winning albums. More precisely, East Nashville is the anti-thesis of the glamor, gloss and often superficiality of its huge neighbor. The area is characterized by quaint neighborhoods and an outdoorsy, artsy, working class style. And East Nashville also is home to some of the hottest alternative/folk/country/rockers creating music these days.
Kevin Gordon just so happens to be one of those alt folk rockers who has long been receiving critical acclaim from music industry insiders, while at the same time trying to pay the bills and raise a family in his little slice of East Nashville. Gordon routinely tours the Midwest and Southeast with an occasional foray into the Northeast; mostly as a solo performer driving many a mile in his trusty minivan.
Maybe the best barometer of Gordon’s down to earth journeyman musician story is the fact that he’s already played in Parkersburg, WV two times and on Sunday October 6th he’ll chalk up number three. Gordon, bassist Ron Eoff and a drummer TBA will be appearing the Worthington Ballroom located at 3414 Roseland Ave ., Parkersburg, WV 26104. Even though his solo shows are certainly lively, it’s a bit of a rare treat to catch Gordon in “small combo” mode. It’s gonna rock!
From a great review in Rolling Stone magazine of his recent release Gloryland to an early Sunday evening show in Wood County working to make a living is a solid testament to Gordon’s love of music and performing it live! (Check out the Gloryland review here! Gordon’s 3 ½ star rating was second only to The Boss’s 5 star rating for Wrecking Ball which was reviewed in the same print issue. http://www.rollingstone.com/music/albumreviews/gloryland-20120314)
The doors will open at 6 p.m. and Andy Tuck, from one of WV’s hardest working and most beloved bands The Greens, will kick the music off at 7 pm. Tuck will be acoustically performing tunes from his huge library of original songs, but if one knows Andy they understand that there will be no lack of the energy and inspiration which drives his live shows.
Tickets are only $10 and will be available at the door the night of the show. To learn more about Kevin Gordon and his music visit http://kg.kevingordon.net/ . For more on Andy Tuck and The Greens visit http://www.reverbnation.com/thegreens.
For more information on this show, or on hosting a live music event at your home or venue, contact us at email@example.com.
Every once and awhile a true guitar virtuoso travels through the Mid-Ohio Valley. Over the past few years lucky area music fans have watched Junior Brown rock the old Front Row, Reverend Horton Heat create a mosh pit at the Adelphia and Joe Bonamassa display his outstanding skills at the Court Street Grill.
Well folks one of those times is upon us once again. This Friday evening, May 24th, the Court Street Grill (112 Court Street, Pomeroy, OH) will welcome the Simo Band which features rising guitar phenom JD Simo. Simo was born and raised just down the street from Wrigley Field and cites Chicago’s musical diversity as a large influence on his playing. Interestingly Simo was not only influenced by many Chicago blues legends such as Howlin’ Wolf and Sonny Boy Williamson, but Elvis Presley as well.
Simo would find himself living in San Francisco and Phoenix, and left home at the age of 15 chasing the desires only a guitar prodigy can envision at that young age. He would essentially be schooled in the music business by Don Kelley as he traveled with his Nashville based band. Simo would hone his skills and refine his technique under Kelley, whom Simo sometimes refers to as “a good high school football coach” pushing him to work harder than anyone could imagine.
As Simo grew in musical stature he became in demand for session gigs throughout Nashville music circles, all the while beginning to put the pieces together for the Simo Band. With the help of bassist Frank Swart and drummer Adam Abrashoff, Simo has laid the foundation for an opportunity to truly be expressive and creative with his musical gifts.
But don’t expect your traditional and predictable blues from Simo. From 70’s rock power chords, to intricate flowing solo’s, to licks so catchy you’ll be infected with a boogie groove, the Simo Band brings a unique, energetic sound … and when Joe Bonamassa refers to Simo as “the greatest out there right now” … it’s simply not to be missed!
For more info contact the Court Street Grill at 740-992-6524 or go to www.courtstreetgrill.com.
Parkersburg, WV – Acclaimed songwriter Tommy Womack will be returning to Parkersburg as part of the PM Beat Music 2013 Concert Series. The show will be held Thursday, May 9, 2013 on the Worthington Golf Course patio at 7pm, weather permitting. In the case of inclement weather the performance will be held in the historic Worthington Ballroom. Tickets are only $10 and will be available the evening of the show.
Womack, a resident of Nashville, TN, via his Kentucky upbringing has received much praise for his latest album release 2012’s “Now What!” The album was reviewed in of The New Yorker magazine. “The singer, songwriter, and author Tommy Womack, a fixture on the Nashville music scene, mixes country, blues, and rock like a fast-fingered bartender on his new album, “Now What!,” said reviewer John Donohue. “The heart of “Now What!” is its subject matter: instead of typical roadhouse hell-raising fare, it addresses middle age. But the album’s not a downer – Womack never takes himself, or anything else, too seriously, and he’s is not above rapping on one track and quoting Cheap Trick on another.”
“Now What!” has also received high praise from American songwriter magazine who simply defines Womack’s unique style as “…This is rock ‘n’ roll, or Americana, or whatever you want to call it, that’s AS PURE AND HONEST AS IT GET.”
Womack is no stranger to the Parkersburg area and has invested himself in the community by participating in two charitable concerts for the Children’s Home Society of West Virginia over the past few years. Folk singer, humorist, entertainer … Tommy Womack is one great time.
Parkersburg’s own Nick Barry will also be performing his original brand of Americana folk rock. Barry brings a classic 60’s style protest singers delivery but with a twist. His songs tell the stories or misadventures of young adult decision making revolving around employment, love, politics and the right to party.
Area fans have become forever connected to the witty lyrics and the “can’t help to sing along” choruses of Barry’s original tunes. Whether you’re going to Columbus or just going to let your dog out, a set of music with Nick Barry is always an adventurous and fun time!
Blues Hippy and the Soul Underground featuring Willie Phoenix, The Jimmy Clinton Band, The Remnants and a special solo appearance by Michael Lutz are scheduled for the second show of the PM Beat Music 2013 Concert Series. The concert will be held Saturday, March 23, 2013 at the historic Worthington Ballroom in Parkersburg.
Starting back in Camden, Alabama as a youth brought up around the famous blues musicians his father performed with, Willie Phoenix was immersed in great music but it still played second fiddle to his dreams of playing second base in the big leagues. His love of classic British Invasion rock and roll, a solid reggae groove and a touch of soul all add flavor the Blues Hippy groove.
While others may more clearly recollect his more recent Parkersburg shows at The Front Row throughout the 2000’s. Those performances reintroduced area music fans to Phoenix after to long of a hiatus. The Front Row shows were still just has energetic with Phoenix often bringing varied lineups of the band under the Willie Phoenix band name. There was always Phoenix on guitar, a bass player and a drummer but sometimes there was a percussionist playing an array of Latin flavored instrument to keyboards with that big sound.
However one of the more memorable performances by Phoenix took place on a wintry December just before Christmas back in the 2000’s. Due to the holiday grind some of Phoenix’s band mates were unable to commit to the Friday night show due to expanded work obligations. “Willie called me and explained some of his band members were tied up at work and with the bad winter weather being forecast for the area weren’t going to be comfortable with making the trip to Parkersburg either,” Front Row owner Bill Poole said. “But Willie offered me the option of just coming down and playing solo for a reduced price and I said sure,” Poole said. Phoenix took the stage and what happened next was pure magic. The prolific songwriter took the nice sized crowd on a musical history lesson of Willie Phoenix original songs as well as many of the songs that influenced him to become a musician. All told Willie Phoenix played a non-stop three and a half hour set of music … on an acoustic guitar! Guitar players will understand the sheer brutality that something like that can entail.
Moments like this were exactly why the music business had taken note so many years before. Phoenix’s great songwriting and energetic performances helped garner a major record label deal with A&M Records in 1982. It was a wonderful collection of straight ahead rock and roll songs in an era when rude showmanship and illegal off stage activities where often the keys to success for major rock bands. Even though A&M Records are long gone, Phoenix is still busy writing great music as evidenced by his thirteen+ albums, but more importantly his love and respect of music and his fans. No gimmicks, no drama, just a musician giving his all.
Another wonderful facet of Phoenix has always been his readiness to try new musical projects featuring interesting lineups and instrumentation. His current band, Blues Hippy and the Soul Underground, features longtime collaborator from the Shadowlord days Jim Johnson on drums, Myke Rock on bass and backing vocals and Dan-Ro James on guitar and backing vocals. Together they create an eclectic mix of danceable rock and roll which combines musical elements of Phoenix’s journey. There’s nothing like a reggae groove to get folks on the dance floor.
The Jimmy Clinton Band will also be performing their original brand of Americana flavored, danceable rock and roll sound. Clinton brings some great original songs from days gone past, a love of blues and roots music and mixes it with some classic 80’s cool which area music fans have been enjoying since his days in The Larries and later with Jimmy Clinton and the Mean Red Spiders.
Clinton is backed by the super solid and often funky rhythm section of Vincenzo Mele on the electric bass guitar and Jeremy Harman on drums. The trio of accomplished area musicians share their excitement of live performance with the crowd as well as a joke or two along the way!
The Remnants are straight ahead rock and roll at its finest. The four piece group features Bob Hall on vocals and guitar, Kevin McGinnis on lead guitar, Jeff Kidwiler on bass and Randy McClung on drums.
The trio of Hall, McGinnis and Kidwiler has been playing together for over thirty years and McClung has been contributing for the past five years. This allows The Remnants to craft great pop rock songs with clockwork perfection. Touches of 60’s classic rock, 70’s punk, 80’s power blues and 90’s alternative all blend together for a great sound.
Parkersburg native Michael Lutz will bring his energetic roots blues acoustic performance to the show. Lutz’s love of all types of music is evident as he mixes powerful acoustic guitar playing and lyrics for some foot stomping musical bliss. Lutz has been entertaining throughout the Mid-Ohio Valley both as a solo artist and as a member of his latest band Nemean Lion.
Doors will open at 7pm with music beginning around 8pm with The Remnants taking the stage. Tickets are available at the door and are only $10 for this great night full of energetic original rock and roll. There will be over three and a half hours of truly wonderful music. Plus this lineup of musicians is sure to span a extra wide swath of musical influences from blues to reggae, folk to punk, soul to British invasion, all part of the melting pot of styles called rock and roll! This show is 21 and Up with domestic canned beer and some great local microbrews from the North End Tavern being on tap.
Between songs Kevin Gordon is a man of few words, one might even say shy as he thumbs through his small booklet of songs. But once the music starts, one can drop that description as Gordon poetically weaves his lyrics into a gripping story of the good, the bad and the sometimes ugly. Absent of fluff and glam, his songs are a musical snapshot of both good and bad memories, but also a brighter future. One can enjoy Gordon’s musical portrait painting along with Angela Perley & Chris Connor and Michael Iafrate on Friday February 15th at the historic Worthington Ballroom. (See Paypal link below to pre-order tickets.)
In 2012, Gordon released the album Gloryland to wide critical acclaim. Rolling Stone magazine writer Wil Hermes anointed Gordon a “juke-joint professor emeritus” and handed a 3.5 star rating to his latest release. The praise didn’t stop there as both the USA Today and American Songwriter magazine each awarded Gloryland 4 out of 4 stars, otherwise known as an excellent rating.
“Four stars… The sheer brilliance of the lyrics to Colfax/Step in Time alone justifies a top rating for the first album in seven years from this Southern-raised poet/rocker. Gordon sketches a not-so-simple portrait of a junior-high marching band on a bus trip, and every single image feels, tastes, smells and sounds absolutely true” said USA Today reviewer Jerry Shriver.
And it’s that realism which makes Gordon’s music so refreshing in this day of samples, overdubs and a sometimes more glitter than substance recording world. His finely crafted compositions have been recorded by Rolling Stone Keith Richards, the late Levon Helm and others but the real treat is hearing Gordon’s earnest voice paint the picture and put the listener right in the middle of the action.
Sure all these words of adulation are meant to convince, but for the the handful of music lovers that were lucky enough to catch Gordon’s April 2012 Children’s Home Society of WV show, they understand praise. And others can as well. On Friday, February 15th PM Beat Music is proud to welcome Kevin Gordon back to Parkersburg. Gordon will headline an evening of Americana themed songwriters at the historic Worthington Ballroom located at 3414 Roseland Avenue in North Parkersburg, WV. This show will also kick off the 2013 PM Beat Music Series at the Ballroom.
The show will be opened by some very special guests. Angela Perley has been seen singing and playing multiple instruments within several performance configurations. Sometimes solo, at times with The Salty Caramels, but more notably with Angela Perley & The Howlin’ Moons. Their music blends elements of folk, country, pure Americana, bluegrass, rock & roll and a trip to the county fair thrown in for good measure.
In her younger years, Perley was intrigued by the legendary female voices of other generations. Patsy’s and Loretta’s soft to powerful range infused with a sprinkling of Billie Holiday’s soul can be heard as Perley delivers a song. The Ohio University alumnus (Go Cats!) also dove ear’s first into the extensive OU music library, as well as, the Library of Congress’s online archives as she researched the roots of much of the music we listen to today … without evening giving two thoughts about it’s origins.
Well known throughout the central Ohio region, Perley and the Howlin’ Moons are quickly gaining recognition not only throughout the Midwest but in Europe as well. “Tune into (Pure 107.8FM’s stream) today around 5 pm Eastern Time to hear the Howlin’ Moons on Roots & Fusion program in Stockport, England (22:00 the show starts)” posted Perley on social media. Enthusiastically adding, “They just played Brooklyn Girls and made a shout out because the program director knew we’d be listening! Really special!”
On this special night Perley will be joined by the Howlin’ Moon’s lead picker, Chris Connor. Sporting his trusty G&L ASAT Classic Bluesboy Semi-Hollow guitar, Connor delivers rhythms riffs and leads with the class, timing and finesse of a fine watchmaker. And yes he can bust out the lowdown twang when the need arises. Folks may also be lucky enough to see Connor strap on his trusty Gibson acoustic for a song or two as well.
Opening this great evening of music will be singer/songwriter Michael Iafrate. Like most musicians, Iafrate has enjoyed time playing in duo’s and with his most recent band Michael Iafrate & The Priesthood but be onstage solo for this show. Here’s truth that one must watch what they post on social media … well maybe just what they wear. An absolutely wonderful, impromptu version of the Louvin Brother’s If I Could Only Win Her Love by Michael and his brother Andrew Iafrate, complete with pajamas!
The Parkersburg area native, currently residing in Wheeling, proved to be the consummate performer at a PM Beat show late last year, as he worked through a singers nightmare, aka head-cold and sore throat. But out of that adversity came a wonderful set of music that literally had the audience silently awaiting the next lyric.
Doors will open at 7 pm for this extraordinary show with music beginning around 8 pm. As usual the Ballroom will be serving a lite fair and of course micro brew from the North End Tavern, as well as, domestic flavors in aluminum cans.
Tickets can be purchased in advance through the Paypal link below and also at the Worthington Golf Course snack bar/pro shop. Due to the travel involved for the artists all tickets will be $10, a small price for a full evening of excellent music. Tickets will be available at the door the night of the show, while they last! Don’t be fooled at all by a preconceived notion of an “acoustic show” … this show will be as powerful, poignant and entertaining as any “electric” show one has seen in awhile!
On Friday November 23rd, AC30 will be making the drive north from Huntington to play the Worthington Ballroom. The show will also feature Cadillac Lester, Haggard Wulf and a special performance from Todd Burge & Jimmy Clinton. The show will also help Old Man Rivers Mission by collecting canned goods for a reduced at the door ticket price. Bring 3 cans get in for $8!
PM Beat: How long have you all been playing together?
Ian: “We began playing around in the studio late 2009 and played our first live show with (Alex, Bud, Ryan and myself) New Year’s Eve 2010.”
PM Beat: Is AC30 a creation from any former bands, or did everybody start as new performers/first band?
Ian: “Ryan and I were originally in a short lived band together called Whirling Dervish. Around the middle of 2009 we lost our lead guitarist and Bud, having heard us at a local venue previously, was down to fill the spot. That band shortly faded out and we began hanging out and recording some tracks at Bud’s Trackside Studios. This material eventually turned into the early makings of AC30. Most of that album was done with only Ryan, Bud and me. Alex came along during the process, as well as Doug who had recently moved back from Atlanta. Then, PJ was the last to come on board. Our good buddy, Rod Elkins, also played a couple of shows with us.”
PM Beat: I know the Vox AC30 amp … and you don’t see many bands playing Rickenbacker guitars … was there a focused effort to gravitate toward the equipment based on any particular influencing artists?
Ian: “Well, not really I don’t think … ha-ha. Bud came up with the name and we all really dug it. I suppose it kind of gives you a glimpse of what to expect from us, but since everyone in the band writes, I feel like we’re really across the board stylistically. And no one actually plays an AC30. As for the Ric’s, both Ryan and I have had ours for years, happy coincidence I suppose. Who doesn’t like a Ric?”
PM Beat: I appreciate you guys playing on Nov. 23rd at the historic Worthington Ballroom and you seem to be open to gigs … how many shows do you normally like to play a month?
Ian: “We appreciate the offer to play that room! When it comes to shows, I suppose it depends on what else is going on. If we’re trying to record, our focus is mostly on that. But when we’re playing we like to play about 6-8 times a month. Given that everyone has a day job, we’re pretty much restricted to Thurs-Sat for shows. So we focus on short weekend runs around the region.”
PM Beat: Can you think of any one show in particular, where everything just seemed to align and flow, and when you looked out to the audience the band was shocked by the sheer number of people and the amount of fun they were having?
Ian: “We’re still a relatively new band, so as of yet we haven’t played any enormous shows really. But this past Halloween show in Huntington might have been just about our best show yet. All the elements were there for that one. The band was playing very well, the sound was tight and there were a couple hundred people in the audience just eating up everything we threw at them. Everything just seemed to click and it was a blast on our end.”
PM Beat: It is show business, with the duty of the band to both play and entertain … who are some artists, which you may have seen live or via media, which have a performance style which AC30 enjoys/incorporates?
Ian: “That’s one of the aspects I believe we’re still getting comfortable with, stage presence. I think we put on pretty good show, but granted, we’re no KISS … ha-ha. Everyone adds their own element and stage persona. We don’t really think about that in terms of emulating any one. We all like the Who, those guys definitely had presence.”
PM Beat: I’m a firm believer that egos are destructive in the music business and that bands need a thick skin and calm demeanor to get through the unhappy things that pop up from time to time … what is the smallest crowd you have ever played before that really made you scratch your head and wonder “what happened?”
Ian: “Yea, one of the strongest things about our band is the fact that egos are left at the door. So many times you can get all the best players together, but they’ll form the worst band. The camaraderie of our band is one of my favorite aspects of AC30. We’re all in it for the same reason, to make music we love and to have fun doing it. You can’t take this stuff too seriously or you’ll drive yourself crazy. Shitty shows happen, that’s just the nature of the beast. Sometimes the smallest crowd can be one of the funnest shows. For instance, we played in Knoxville to about 7-10 people. Drove 5+ hours to get there and was a little beat but I felt that it was one of our best shows because those 7 people really dug what we were doing.”
PM Beat: Every bands has different aspirations and realities due to day to day life … if you could add something (a tour with a well- known band, chance to record with a well-known producer, increased media recognition of your work so far, adding another talented musician to bring a new angle to the bands sound, etc…) to the world of AC30 what do you think the band would enjoy gaining?
Ian: “Like you said, we’re realistic. We don’t really have aspirations to be as big as the Beatles or anything. Personally, I really like the chemistry of our band. I think we all come together and work really well as a group. We all have our own strengths that contribute to our sound and overall workings as a band. Having Bud and Ryan in the band especially helps out with our recording process. It’s not like we have to shell out tons of money and desperately try to knock out X amount of songs in a weekend. We can focus on making great records. Though, we do enjoy getting out of our normal confines to do a little work elsewhere as with Eddie Ashworth (Athens) or Roger Nichols (Nashville). I think our main focus at this point is making the best records we can and gaining as many fans as possible to share them with. So yea, if Petty needs an opener anytime soon I’m sure we’d be more than happy to oblige.”
PM Beat: Fans, other bands, maybe even some band mates do some hysterical things from time to time while you are performing … does any event spring to mind where AC30 just had to step back and get a good laugh out of their system before starting or finishing a live song?
Ian: “Our Huntington shows always come with some nice banter both from the crowd and from us as well. So you never know what you’re going to hear, but it can get pretty comical at times. One of the things that comes to mind would be when we were covering “Gimme Gimme Good Lovin” with PJ singing and as opposed to the song’s normal city shout outs, PJ decided to add WV towns on the fly instead and it worked out incredibly well. We all about lost it on that one. Maybe you had to be there.. lol.”
PM Beat: I’m sure everyone in the band loves creating music … but when you step away from the band what are some of the non-musical things that you enjoy or are a little fanatical about?
Ian: “I think we all have our own things we do outside the band. Granted we’re not necessarily a “young” band so we all definitely have our responsibilities to take care of. I’m still cutting my teeth as a promoter here in Huntington, founding the Huntington Music & Arts Festival back in 2010. Bud just keeps getting better with his recording craft and taking part in starting the ‘Live at Trackside’ video series. The rest of the fellas all have day jobs/girlfriends…etc as well. So sometimes when we’re not making music, we’re still doing music stuff I suppose.”